![]() Resolve/NLE > Legalizer > (Terranex Standards Conversion if Needed) > Hyper Deck Studio Pro For the past year or two, I’ve fed this device from the output of the DL-860 to record the legalized content. Ultimately, for cost and feature reasons I settled on a HyperDeck Studio Pro. Over the years I’ve tried quite a few recorders out there from AJA, Blackmagic, CineDeck and others. That’s where the digital recorder comes in. Unfortunately, there is no way with the DL-860 to record the files we feed it. We must pipe video into it as SDI – but how the heck do we record the final legalized video from the SDI output of the DL-860? Back in Insight 150 we took a look at using the trusty Harris DL-860 to do just this. The reason I can’t just export from my color grading app is that I need to take advantage of outboard hardware legalization. So, that workflow sounds simple enough and you’re probably thinking – “you just export from Resolve or an NLE right?” Well… not quite. Instead, I’m delivering ProRes and DNxHD files either as QuickTime or in the case of DNxHD as MXF wrapped files. While that can mean a few things – like on LTO tape, SSD or as an upload – I’m not doing nearly as many tape laybacks as I once did. I haven’t recorded with my trusty Sony 5500 HDCAM SR deck in a few months.Īlmost all of the projects I work on – both broadcast and non-broadcast – are being delivered digitally. ScopeBox as A Hardware Legalizer? Sort of. While I always knew about this functionality, it wasn’t until a recent hardware failure that I put it to the test, and I’m glad I did. In this Insight, I want to share with you another way of using ScopeBox – as a digital recorder. In a world of high-cost hardware scopes and rasterizers, ScopeBox is an amazingly flexible and powerful tool.įactor in some specialized scope options like HML Balance, Channel Plots, a great implementation of Alexis Van Hurkman’s Hue Vectors Graticule for the Vectorscope, and ScopeLink for integrating with Adobe Creative Cloud and Final Cut Pro X, there is no doubt that if you have a Mac and an extra $99 USD, ScopeBox is a no brainer purchase. Pat, Dan and I have expressed our love of Divergent Media’s ScopeBox A LOT over the years. Click on the cutting line, then drag it to the desired location to create the Cutaway.Tutorials / Using ScopeBox as a Digital Recorder Cost-Effective, Powerful Scopes Also Double as a Digital Recorder Click twice to define the cutting line.Ĥ. Note: This command is also available from the Standard Toolbar.ģ. ![]() ![]() From any of the four Cutting Plane tabs, click to bring up the context menu. If you wish to cut the model from a different direction than the predefined orthogonal directions, create a custom Cutting Plane.ġ. You can now move and edit the Cutting Plane if needed the Section remains unchanged.Ĭreate Custom Cutting Plane on Floor Plan or Section The Cutting Plane coincides with the Section Line, but is independent of it. Select the Section line, and choose Create Cutting Plane Here. It may be convenient to use an existing Section as the basis for your 3D Cutaway. To cancel the operation: Note that the tabs on all four sides change into garbage cans: if you change your mind while dragging, just move the Cutting Plane back into one of the garbage cans (or press Esc) to cancel the operation. Click to place the Cutting Plane at the desired location. By default, you will drag the Cutting Plane orthogonally.Ĥ. ![]() Click and drag one or more tabs to the desired location. The window will display Cutting Planes handles on all four sides of the screen.ģ. ![]()
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